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I can't keep up with more of the live offerings on NPR music.
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Listen Fridays at noon ET at WXPN for the full guest concerts as "Free at Noon". The weekend syndicated version "Conversations from the World Cafe" is just a very edited summary of World Cafe. Live guest performances are archived in more formats than I can understand.
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Unfortunately they no longer carry Beale Street Caravan from Memphis, so their reduced blues hours have reduced my contribution to zero.( updated )įor a world music education, Afropop Worldwide is both on radio (including back in NYC on WNYE-FM 91.5 for the hour 11 pm – midnight ET Monday through Saturday) and various online options.( updated )įrom outside of NYC, middays I listen to (particularly for Latin rock and electronica, among other obscurities) Morning Becomes Eclectic from public radio KCRW in Santa Monica, CA. (Yeah, it's confusing that they call themselves "Jazz 88" when I only listen for their blues shows). For a classic soul music education, stay tuned on Saturdays for Felix Hernandez. ( revised )įor a blues education catch "The Blues Hour" 3 - 4 pm ET weekdays on WBGO from Newark, NJ and the incredibly knowledgeable, cool-voiced Bob Porter, 7 am – 10 am ET in both his syndicated "Portraits in Blue" followed by his local new and classic R & B show.
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Vin was, of course, the first DJ in NYC to play Russell Crowe's band TOFOG, particularly on Memorial Day, and he also interviews a lot of writers (and our monthly fiction group enjoys his book recommendations) and movie directors, as well as musicians. ( updated )įarwell to hearing on the radio Vin Scelsa whose free-form Idiot's Delight interpreted David Fricke's motto:Įncourage The Impractical and Improbable, Without Bias. Photo and transportation provided by Gordon Nash. I volunteer to answer phones for new and renewing members at the Fall and Spring Membership Drives, and as needed. Also check the Celtic shows live and in the archives on Saturday mornings (for Kathleen Biggins's traditional tour in "A Thousand Welcomes") and Sunday afternoon's "Ceol na nGael" (somewhat more schmaltzy selections) that keeps me on the same wavelength as my brother Richard the Celtic banjo-playing/guitarist. (Hopefully their terrestrial reception will improve shortly when they boost their new tower on top of Montefiore Hospital.) I get my voluminous knowledge of new and obscure multi-genre music from this AAA station (and part of the blame for my huge, now old-fashioned CD collection), including Public Radio International's Mountain Stage from West Virginia, American Routes from N'Orlins (an aural demonstration of why the people of that great city and region are critical to the very essence of America's cultural heritage and every one who has ever listened to a note of the great music emanating from there must pay back in their time of need.). Listen to 90.7 FM WFUV-mostly available on streaming audio here on the Internet. New York City radio is not a wasteland! And the best is now (mostly) available online! Ah, the stereotypes a woman who keeps her hair gray like Emmy Lou faces! So here market researchers is what you're missing by not asking me what I'm listening to! Sure, why would they want to know about someone who actually listens to the radio and purchases music in a physical form? The Brits have a (gender-stereotyped) term now for me - "the 50 quid man" - someone who listens to new music and will go spend 50 quid in a bricks-and-mortar "record" store to buy what "he" liked hearing. I used to get called by market researchers about my radio listening habits - only to be rejected for the surveys once I answer their demographic questions as to Nora Lee Mandel's age and race. My own Younger Generation LOL that I still listen to radio, even online. DJ/producer Ben Watt in Billboard to Kerry Mason in "Watt Captures Brave New Sounds on Latest Comp" And you'll often find that the more melodic stuff is appreciated by a slightly more long-in-the-tooth crowd.
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With the younger generation, the tendency is to dismantle, to dispense with melody at the expense of energy. Al Kooper in Billboard, on his song "Going, Going, Gone" on Black Coffee, in an interview with Wayne Robins.
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as you get older, one day you wake up and they don't make anything you like, or play anything you like, and that's the day you realize you're a senior citizen. Radio Mandel Maven's Nest Music Tips: Radio Not Just For Listening